Finishing A Basement Yourself Can Be A Rewarding Pastime

on Friday, March 2, 2012

The subterranean space under your house can be converted to an imitation living space without you having to be a pro carpenter or an devotee in any sort in the construction profession. Basements undoubtedly started out being a thing called a Root Cellar. They were a sort of an extra tall crawlspace. What they call colse to here a Michigan Basement. They commonly had field stone for walls which were held together with mortar. They commonly leaked water in between the stones and it dripped down on the floor but that didn't matter because the floor had no pavement on it at all. The house above commonly came as a kit from Sears and called a Craftsman.

New construction commonly has poured concrete walls that are eight feet tall and nice and right and commonly don't leak much water. There is commonly some pavement on the floor. This commonly ends up as a big empty cube that reminds habitancy of an unfinished living space. In order to terminate this space off you will need to build a framework colse to the perimeter where you can install insulation and wiring and drywall. This does not wish a perfect job. What I mean is that it can be a small out of plumb and that wouldn't matter because the walls are not undoubtedly a structural at all and could fall all the way out and not supervene the house at all. So I say build the walls one stud at a time and nail them down to the floor and ceiling joists and you have a great start.

Sears Big And Tall

Once you get the walls all done then it's time to do the suspended ceiling. To save time and money use 2 foot by 4 foot panels of suspended ceiling. Make sure to nail the wall angle to the studs all colse to the outside. Just quantum down from the ceiling commonly 4 and ½ inches to the top of the wall angle. In the center I commonly use a drywall terminate so that requires some framing colse to the I-beam and the heat ducts. That gives you a great nail base for your ceiling. Just keep an eyeball on your track and keep it fairly straight. The lights commonly go in with the ceiling.

The next step would be the doors and trims. Use pre hung doors and pre primed moldings. That is the fastest and cheapest. Then give all a coat of paint. Floor carpet is next. I make it sound easy here I know. But after you have done a few of these they are all alike. After 20 or 30 you could do them in your sleep.

I have seen zillions of amateur ended basement jobs. I would say the biggest mistake that amateurs do is try to be a perfectionist. That is not necessary. These jobs don't have to be perfect. What they have to be is done. Done is the key word. So try to get as much help as potential and remember that the lighting is sort of dim in these places so perfect is not necessary.

Finishing A Basement Yourself Can Be A Rewarding Pastime

How to Build a Rope Swing at the Lake Without a Tree

on Thursday, March 1, 2012

One day at the lake

Entertaining children can be as uncomplicated as involving yourself and letting them hang with you. Kids don't have our resources, or abilities, but they do have great imaginations. If you naturally couple everyone's ideas, skills and money, who knows what you can come up with. One day camping at Timothy Lake my son said let's build a rope swing to swing out over the water. I thought, great all we need is a long rope and a leaning tree over deep water and you got it. (Travel itineraries, advice, discounts, articles, may be read at TripTalkusa ) The rope was no qoute since I was in the habit of bringing all things together with the kitchen sink with us camping. The leaning tree posed a qoute since the lake has no leaning trees. We took our little 12 foot aluminum boat over the lake to find a tree we could bring back. On this discreet cloak and dagger mission was an adult (questionable) an 8 year old and a 5 year old, a tippy Sears and Roebucks rowboat with a 2hp outboard, a small but razor sharp survival saw and a bunch or rope and twine.

Sears Big And Tall

We crossed the lake to an area I figured would have no people, (because I wasn't sure what I had in mind was approved) went ashore into the woods and found a stand of trees that were very tall and slender. I selected a tree about 3-4 inches in diameter and proceeded to cut it down, except it wouldn't fall because all the trees around it prevented gravity from doing its job. Finally, after much pushing and shoving my accomplices and I were able to get three nice clean limbless poles to the edge of the water. We readied the skiff to be a tug boat and slid our raft of logs into the lake only to peruse that we had cut down Hemlock Trees and they don't float. There we were with three fine twenty foot poles all tied up into a log raft sitting on the bottom of the lake.

Even though this seemed like the end of the caper it was not. Our little 2 hp was able to pull the raft, and as long as we kept involving send the raft stayed near the surface. When we slowed it would sink and hang from our tow rope. This unmistakably worked to our advantage because no one could see what we were up to, and if caught or questioned, I would naturally release the line letting our contraband sink to its watery grave. Motoring over the lake dragging submerged trees with a 2hp motor seemed to take forever, and I was sure we were being watched. When we neared our water front campsite we ran the boat right into shore and our illicit payload settled on the bottom in 18 inches of water. So far so good, no one knows anything, we naturally found logs along the shore. That is my story. Just don't talk to my kids, they have wild imaginations and tell crazy stories. After letting the dust settle, so to speak the boys and I arranged our three poles (still in the water) into the shape of a big letter A. Then using lots of twine we securely lashed the three points where the poles crossed. That means a third grader with the help of a younger brother tied it together using knots never before discovered. Next we maneuvered our non floating wood A-frame into deeper water where it was glad to stay submerged. The final step was to tie a rope to the tip top of the A-frame and bring it ashore to a secure anchor tree. We then hoisted the top of the A-frame up out of the water and tied it off leaving the A-frame standing up at an angle with a short piece of rope dangling from the top. The kids could now stand on the A's cross bar and swing out. The rope swing proved to be a huge success and the kids played all week. The poles were not strong sufficient for an adult's weight and would bend when I hung on the rope. When we broke camp to go home later in the week we towed the poles to a ten foot deep spot and sunk them to the bottom planning to retrieve them and resurrect the A-frame the next summer. The author has more articles at triptalkusa

John 2010

How to Build a Rope Swing at the Lake Without a Tree

Mobsters - Chuck Connors - The Mayor of Chinatown

on Wednesday, February 29, 2012

Chuck Connors was a scam artist of the highest caliber and the most noted white man in Chinatown history. Because of his gregarious nature, Connors was called the "Mayor of Chinatown," even though Chinatown had its own elected Chinese Mayor, Tom Lee, the leader of the On Leong Tong.

George Washington "Chuck" O'Connor claimed he was born on Mott street in Chinatown, but it is more likely he was born in 1852, in Providence, Rhode island.

Sears Big And Tall

Telling the truth was never Connors' strong point.

When Connors was still a teenager, he changed his last name from O'Connor to Connors. Rumor had it that "Connors" had less of an Irish ring to it than "O'Connor," and the Irish were strongly associated with the police, whom Connors had no fondness for.

Connors' early nickname in Chinatown, for some unknown reason, was "Insect," but soon he was called "Chuck" by everyone, because he loved to cook chuck steaks, by hoisting them on a stick, and searing them over small fires he had set in the streets of the Bowery and Chinatown. At assorted times in his wacky life, Connors was also called the "Sage of Doyers Street," and the "Bowery Philosopher."

As a young boy, Connors enjoyed tormenting the Chinese men by pulling on their pigtails, then making his getaway by sprinting straight through the streets, normally with an angry Chinaman chasing him with a big knife. As a teenager, Connors learned to speak Chinese, which finally endeared him to the Chinatown population.

As he grew older, Connors became a expert pugilist, then a bouncer at Scotchy Lavelle's joint at 6 Doyers Sreet. Connors also often hung out at Tom Lee's dive at 9 Bowery, affectionately called "The Dump," which was said to have "the dirtiest species of white humanity to be found." (Strangely enough, even though there were dozens of bars in the Chinatown area, some even owned by Chinese men like Tom Lee, hardly any Chinese population frequented these places, preferring opium dens as their mode of free time and inebriation.)

During this time, Connors palled nearby with a Chinatown street thug named Big Mike Adams. Whereby Connors was playfully mischievous regarding his actions with the short and slim Chinese male population, Adams was downright deadly. Working as an enforcer for the local tongs, Adams bragged he killed a slew of Chinese men, by decapitating them with his huge knife. Once in full view of dozens of witnesses, Adams forced three Chinamen onto their knees in broad daylight, then he decapitated them one by one, as the crowd screamed in dismay. Adams' big piece of work was when, working for a rival tong, he decapitated Hip Sing Tong leader Ling Tchen.

After it became clear Adams was out of control, Connors kept his distance. As Adams became more belligerent against the Chinese, Connors industrialized a closer association with them. Adams lost much face when he was attacked on Pell street by a drunken Hip Sing gangster named Sassy Sam. Adams, supposedly a tough guy, ran straight through the Chinatown streets screaming like a itsybitsy girl, as Sassy Sam chased Adams, while swinging a Chinese ceremonial sword. This sign of infirmity was Adams' undoing.

A few weeks later, Adams was found gassed to death in his Chinatown apartment. With the windows and doors in Adams' room finished off, someone had inserted a small rubber tube into the room's keyhole. The rubber tube was attached to an open gas jet in the hallway. That someone was believed to have been Chuck Connors, who did the job as a favor to his Chinese friends.

After Adams' death, Connors decided that maybe the street of Chinatown were not too safe for him any more. Adams had friends in Chinatown, and Connors heard rumors that they were gunning for him. His incessant drinking was also a hindrance to Connors' health, so Connors moved uptown to start a new life.

No drinking. No doping. No more heavy-handed work.

Soon, Connors met a woman he liked named Nellie and he married her. To keep himself and his wife, Connors took a job as a conductor on the Third Avenue El. While this duration of married bliss, Nellie taught Connors how to read and write.

But alas, the study of Chuck Connors came to an abrupt end, when Nellie died suddenly. Connors went back deep into the bottle. One day Connors got so drunk, he was shanghaied onto a ship, which set sail for London, England.

In London, Connors escaped his captors and hid in the inner city of Whitechapel. Connors made friends with the local costermongers, who were population who sold fish and furnish from street stands and carts. Connors absorbed and copied the local culture, and when he returned to his old New York haunts, he was dressed smartly in the costermonger attire of bell-bottom trousers, blue stripped shirt, yellow silk scarf and a blue pea coat, resplendent with big pearl buttons, which even traveled down the seams of his trousers. Connors' transformation included a itsybitsy song he had learned on the other side of the pond:

Pearlies on my front shirt,
Pearlies on my coat,
Little bit of dicer, stuck up on my nut,
If you don't think I'm de real thing,
Why, tut, tut, tut.

The "little bit of dicer" Connors wore on his head was a derby, two sizes too small, instead of the costermonger former cap, which was frowned upon by the Bowery residents.

It was nearby this time that Connors became a bit of an eccentric (if he wasn't one already). With no illustrated means of support, Connors became best pals with Police Gazette publisher Richard K. Fox. Fox owned a row of buildings on Doyers Street, and he let Connors live at 6 Doyers street rent free, as long as Fox could regale his readers with the real and imagined exploits of "The Great Chuck Connors." Fox even co-wrote Connors autobiography called "Bowery Life," in which he called Connors the "Mayor of Chinatown," which solidified Connor's reputation for life.

According to Luc Sante's splendid book about the underbelly of New York City entitled "Low Life," Fox's writings about Connors "was included in a series that otherwise ran mostly to boxing, wrestling, club-swinging, and poker manuals, was illustrated with photographs of Chuck in typical costume astonishing posses (cigar in angle of mouth; one hand pointing send with index, or back with thumb; the other hand in coat pocket with thumb sticking out; legs set apart, one forward, one back; pail of beer at the ready)."

The text of Fox's writings is dotted with many of Connors' unique colloquialisms, such as:

Here's to me new graft. I'm one of dose guys now wot gits
ink all over his flippers and looks wise. Say, it's a cinch,
and I've got some of dem blokes wot writes books skinned
a mile.

Or, Connors' musing on what he would do if he became a millionaire:

Me headquarters would be de Waldorf, but I would hev a
telephone center in Chinatown, so I could get a hot chop
suey w'en I wanted it quick. Ev'ry mornin' at 10 o'clock - or
near dere - I'd call up me Chat'am quadrilateral agent an' tell
him ter give cologne ter der gals an' segars an' free lunch ter
der gorillas. Ev'ry bloke dat wuz hungry would have a feed
bag an w'enever he wanted it. How does dat grab yer?

With no illustrated means of legal support, Connors had to find himself a quick way to make a buck. And he did so by becoming, what was called in those days, a "lobbyglow," Chinese slang for "tour guide." Connors worked the Bowery area, where there was some competition for his services. However, Chinatown, because of Connor's closeness to the Chinese leaders, was Connor's exclusive territory. No other lobbyglow would dare enter Chinatown with his customers.

Connors specialized in what was called "the vice tour," where Connors would take his customers to seedy venues to seek the depravity of the Bowery and Chinatown. While other lobbyglows took any curiosity seeker who would pay the freight, Connors, because of his fame as the Mayor of Chinatown, specialized in bringing celebrities from all walks of life on his tours. Some of Connors' customers included Sir Thomas Lipton, novelists Israel Zangwell and Hall Caine, actors Henry Irving, Ellen Terry and Anna Held, and Swedish and Danish royal families. Of course, because of Connors' cache in the Chinatown and Bowery areas, he was able to charge higher prices than his competition, especially to the swells just noted, who could undoubtedly afford it.

During Connors' "vice tour," he would regale his customers with stories of hatchet murders and white slavery. But the highlight of Connor's tour was when he showed his customers the inside of a real-life opium den. These dens, of which Connor's had several, were, in fact, total fakes. Connors employed some Chinese accomplices to stage his fabrications.

Two of his cohorts were George Yee and his wife Blond Lulu. As soon as Connors gave them the secret knock, signaling his impending entry with his crew, George and Lula would fake a drug-induced stupor, while smoking something purported to be opium, complete with exotic aromas. Then, as the traveler watched in amazement, Connors assistant would hike with a solemn monologue, spoken straight through a megaphone, saying, "These poor population are slaves to the opium habit. And either you came here or not to see them, they would have spent the night smoking opium as you see them doing it now!"

Then on cue, Yee would stop smoking and rise shakily to his feet. Yee would then start dancing slowly, gyrating his body in a suggestive way, while singing a itsybitsy ditty entitled "Alle Samee Jimmy Doyle." Connors would tell his enthralled customers that this was unimpeachable evidence that Yee had become crazed, due to the effects of his non-stop opium smoking. Then without someone else word, Connors would lead his crew out of the apartment to a Chinese restaurant, which would complete that particular tour. Meanwhile, George and Blond Lulu would tidy up a bit and get ready for the next go-around, which took place in just a few hours.

Another duo of opium smoking fakes whom Connors employed was a prostitute named "Chinatown Gertie" and her partner (pimp?) Charlie Lee. Gertie's brothel was located at 12 Pell Street, right above "Black Mike's" Pelham Saloon. When Gertie's was informed her apartment would be on Connors' tour that day, she immediately canceled any appointments with "customers," and turned her brothel into an phony opium-smoking den. The only problem was that instead of smoking opium, which would have been safer, they smoked molasses, which caused Charlie Lee's premature demise.

When Connors was at the height of his fame, he started the Chuck Connors Association, which was for the benefit (you guessed it) of Chuck Connors himself. The sole purse of the Chuck Connors association was to throw a every year gala that was attended by all the local politicians, millionaires, members of most of the city's noted clubs, including the Princeton Club and New York Athletic Club, and by anybody in New York City who was somebody.

In December 1903, Connor's held his every year gala in Tammany Hall on East 14th Street. The joint was jumping with such celebrities as pugilists John L. Sullivan, James J. Corbett and Jim Jeffries (who was accompanied by actress Anna Held), French actress Maxine Elliot, as well as millionaire industrialist George F. Train. The music was provided by two bands: Professor Wolf's Orchestra, and to throw a bone to Connors' Chinatown connections, Professor Yee Wah Lung's Chinese Orchestra.

At the time, Connors' main squeeze a charming gal named "Pickles," who was known as the "Belle of Chinatown." Connors being busy with the festivities, Pickles, a tall and buxom broad, arrived at the party at 11pm, accompanied by Ling Quong, the owner of a Chinatown opium den, who barely topped out at five feet. Both were a itsybitsy drunk on something, liquid or otherwise.

Immediately, Pickles caused a stir at the ball, when she asked a passing older lady, who had her nose up in the air and was in the firm of some gentlemen, "Hey sis, have you got any cigarettes?"

The lady stiffened and tried to walk past Pickles, but Pickles would have none of that. She grabbed the lady by the arm and pulled her back. "Go on and give me a pipe. Don't mind dem guys you wid. Give me the pipe!"

The lady ultimately spoke to Pickles, saying, "My poor girl, I don't smoke cigarettes."

Pickles considered giving the lady the back of her hand, but then she reconsidered and said, "Back to der woods for yours!" The lady and her male crew then scurried away.

Looking around, Pickles realized she was greatly under-dressed for the upcoming march, in which she was supposed to be along Connors. So she conned a young girl, with some loose convert no doubt, to lend her the skirt the girl was wearing. While Pickles was in the dressing room changing and sprucing up a bit, Connors began asking nearby as to Pickles' whereabouts. A young girl in a pink dress told Connors, "My sister Mamie is lending her a blue skirt. Mamie will stay in the dressing room until the march is over."

Minutes later, Pickles made her grand entrance, resplendent in the borrowed skirt which was about six inches too short. She sauntered over to Connors who was waiting, not too patiently, flipped her cigarette to the floor, then said to Connors, "Come on Chuck, yer needn't be ashamed of me. I'd best de finding rag in the hall."

Connors apparently agreed, so he took Pickles by the arm and marched her nearby the hall, followed by 300, or so well-lit celebrants.

The joint was undoubtedly jumping, when Carrie Nation made her unexpected and unwelcome appearance. Nation was a highly viable and quite loquacious member of the Ladies Temperance Movement, which opposed alcohol in pre-Prohibition America, as well as the conception of women smoking cigarettes. Nation was quite an imposing figure, standing over six-feel tall and weighing in the neighborhood of 175 pounds. If she were a boxer, male or female, Carrie Nation would undoubtedly be a heavyweight.

At first, Nation was stopped at the door by the bouncers, but Connors, obviously slightly in the bag, went to the door and said, "Sure she can come in. Der are udder automobiles upstairs with loose wheels. Jist step in and help yourself to a twist."

Big Mistake.

Nation immediately stampeded past Connors and hustled to the bar area, where she saw some girls smoking cigarettes. She smacked the cigarettes from the girls hands, and did the same thing to their male counterparts.

"I came here to stop this ball," Nation bellowed to the crowd. "I received a letter from a heart-broken mom about it, and she said her son lost his job by attending it last year. I'm going to break it up!"

Her face beet read, Nation approached a table where ladies were sitting with alcoholic drinks in front of them. Nation brushed the drinks off the table and told the frightened ladies, "You ought to be arrested for drinking!"

Then Nation hurried to the main stage, climbed the steps, and proceeded to read a letter she had received, begging her to stop the Chuck Connors association Ball.

Connors ordered one of the bands to drown her out by playing a popular song named "Bedilia." The crowd started singing, "Bedelia, I'd like ter steal yer."

Nation stood on the main stage, dumbfounded, as someone else segment of the crowed chanted, "Put her out! Rats! Rats! Shut her up! Hey! Hey! Hey!"

By this time, Connors knew he had to do something, so he went to the main stage, and induced Nation to leave the stage. Connors walked Nation toward the back door, and told her, "I'd like to introduce you to a itsybitsy girl who ought to be home in bed."

Outside waiting under the steps leading to the back exit, was none other than Pickles, who screamed up at Nation, "If yer don't git down the stairs in a minute, I'll push your nose straight through the back of yer neck!"

Pickles hurried up the steps and grabbed Nation by the throat. Connor grabbed both women in a bear hug, and with the help of three bouncers, Carrie Nation was evicted from the premises. After Nation was safely outside, Connors snapped at her, "The street is all yours!"

On May 10, 1913, Chuck Connors returned to his room at 6 Doyers Street, not feeling very chipper. He told Mrs. Chin, who had cared for him the past few years, "I'm not good for some more days."

Mrs Chin immediately summoned Connors' pals from the Chatham Club. When they arrived at Connors' room, Connors told them, "If I am going to cash it, let it be here in Chinatown."

Cooler heads prevailed, and Dr. Shields from the Hudson street Hospital was immediately summoned. When he arrived at Connors bedside, Dr. Shields discovered that Connors had a severe cash of pneumonia. Connors was rushed to the nearby "House of Relief," but he died just a few hours later at the age of sixty one

Connors funeral procession was one of the finest in Chinatown history. It started in front of Connors' room at 6 Doyers Street, and consisted of sixty three coaches filled with Connors' mourning friends, and an further six coaches stuffed with floral arrangements. The mourners were a veritable who's who of the political world, the sporting world, and even the underworld. The only relatives in attendance was Connors' brother Philip O'Connor and his sister Mrs. Elizabeth (O'Connor) Miller.

The procession snaked nearby the streets of Chinatown, then stopped at Transfiguration Church, at 29 Mott Street, for Connors' funeral mass, which was said by Father McCann. After the mass, the procession again winded nearby the streets of Chinatown, and the Bowery. As Connors' coffins past each establishment, Chinese merchants set off their tradition funeral firework displays, in honor of a white man they considered one of their own.

The funeral procession prolonged over the newly-built Manhattan Bridge, and ended in Calvary Cemetery in Queens, where Connors was ultimately interred.

Mobsters - Chuck Connors - The Mayor of Chinatown

Vintage Kitchens of the 1930s, 1940s, 1950s

on Sunday, February 26, 2012

1930s: The Steam-lined -Depression Era "Modern Kitchen"

By the 1930's, the kitchen was being transformed from the old fashioned kitchen to the "Streamlined-Modern Kitchen" with time recovery features, best society and much improved ventilation. The "all-electric kitchen" was promoted in beloved magazines with numerous advertisements showing newly designed small and major appliances. Mixers were the homemakers dream now designed with numerous attachments that could sift flour, mix dough, grate cheese, squeeze lemons, whip potatoes, shred, slice and chop vegetables and even grind knives. "Depression Green" was the "in" color used on the wooden handles of kitchen utensils, on kitchen cabinets and tables and on kitchen wares. Often accessories were cream and green replacing the white and black look of the old decades.

Sears Big And Tall

Other beloved color combinations in the 1930s were Gray and Red or Crimson, Silver and Green, Pearl Pink and Blue, as well as the use of checkered patterns on textiles. Kitchen wares such as canisters and Bread boxes tended to be softly painted with maybe a simple decal.

In 1935 the National Modernization Bureau was established to promote modernization throughout the country. Manufacturers competed for best designed appliances and kitchen accessories. Color began to enter the kitchens of the thirties and articles in magazines featured decorating tips on color schemes and how to incorporate the kitchen into the rest of the home. Kitchens were no longer work stations but gaining as much concentration as the rest of the home. Small and large appliances were available in color and Sears and Montgomery Ward featured colorful kitchen wares and "japanned" accessories such as canister sets, range sets, cake savers, bread boxes and waste baskets.

1940s: The Postwar Colorful Era

The Post War kitchen of the 1940's began to come to be house convention places and now tables and chairs made of chrome bases with enamel, linoleum or plastic tops could be added to a more spacious kitchen which supplanted the smaller work centered earlier kitchens. Detach formal dining rooms were being supplanted by kitchens that could accommodate the house and guests. The kitchen was becoming a very inspiring space and traditional colors dominated the interior décor palette. Magazines advertised products for your "Gay contemporary Kitchen". Combinations of red, green and yellow or red and black were beloved as well as brightly colored tablecloths, textiles and curtains. Flowers, fruits and Dutch motif were in vogue and found on shelving paper, trim, decals and kitchenwares. Appliances continued to be produced with streamlined designs, rounded corners and smaller proportions. The mixture washer/dishwasher was introduced as well as the garbage disposal and freezers for home use.

1950s: The Atomic Era-Pastel Color-Space Age

Dramatic changes would occur in the kitchens of the 1950's as space age, atomic era designs and materials entered the scene. The fifties kitchen featured plastics, pastel colors such turquoise or aqua, pink and yellow (cottage colors), Formica and chrome kitchen table and chair sets matched formica kitchen counters and were easy to keep clean with messy little ones. After the war there was more time for relaxation promoting kitchenware's and accessories for picnics, barbecues, parties and the home bar.

The introduction of color T.V. In the 1950s brought full color into America's living rooms where homemakers could now see all the inspiring products and appliances available to them. Following World War Ii, there was a new generation of plastics and time for "gracious living" and entertaining. Kitchens and homes saw the transition from glass, ceramic and tin products to numerous types of plastics which made casual living easier. Melmac and Melamine dishes, Lustro-ware and Tupperware warehouse accessories and "thermowall" for picnics were a huge success. Vinyl was used for tablecloths, chair covers and furniture and bark cloth with boomerang and abstract shapes was popular. Tablecloths and dishcloths continued to be brightly colored and souvenir textiles were added to the home with tropical, Southwestern and Mexicana themes. Poodles, roosters and designs with kitchen utensils, tea pots and coffee pots decorated potholders, appliance covers and linens. Appliances were built-in and came in fifties colors such as turquoise, soft yellow, pink and copper.

Vintage Kitchens of the 1930s, 1940s, 1950s